In order to avoid such substitutions, it is necessary that the dialectic of poetic justice be consistently applied in the film and in the criticism analyzing the film, which helps not to mistake the originality of a morally undeveloped person for personality originality, whims for independence, boredom for seriousness, passive adaptation to circumstances for realism, flat correctness of judgments for the firmness of ideological principles. positions.
There is a lot of talk about a political film all over the world right now. Our friends and possible allies are talking. Our enemies are talking. And they don't just talk. A political film is most actively used as a weapon of ideological struggle. Very often, it serves not only politics, but also commerce: a political film became fashionable, there was a demand for it, and art speculators immediately took advantage of it. This rise of the political film, caused by the increased role of politics in the lives of people and nations, and the increased interest in politics, reflects in its own way the development of the workers' class struggle and the youth movement, which have acquired a new dimension since about the mid-60s.
Due to the intensification of cinematic searches in the field of political film, new questions have arisen for our theory.
In recent festival conversations with some filmmakers from socialist countries, one could hear the following arguments: any film is political, art has always served and serves politics, why create a new category, a new designation — a political film?
This kind of reasoning, which removes the problem of a political film, goes past the realities of the modern world. But there is a problem, and we have no right to dismiss it, to behave like ostriches burying their heads in the sand. Yes, every film serves politics in one way or another, even the most apolitical one — it distracts viewers from the class struggle, immerses them in a world of illusory ideas about reality. But now we are talking about the fact that, without stopping the mass production of commercial entertainment films in the spirit of "old" Hollywood, Western cinematographies are immeasurably more likely than before to produce films that directly address pressing issues of politics and social life.
In this real context, it is especially important to study the features of a modern political film, the struggle of ideas on the world screen, which is conducted with the help of a political film. We are faced with the task of developing, with great urgency, our understanding of political film in relation to the practice of Soviet cinema.
It is well known that bourgeois ideologists and propagandists are now intensively engaged in distorting the historical experience and modern development of Soviet society in order to belittle the practical results of our revolution. Without denying the growth of the Soviet economy (who would believe such denials now?), they seek to distort the "human outcome" of our economic progress. They mystify the ugliness of being in a "consumer society", an "industrial society", declaring them universal, the same for both the West and the East. They mystify the alienation of the bourgeois man, which is growing in the conditions of the scientific and technological revolution, spreading it to the whole world, declaring it the tragic norm of being a contemporary, no matter under what flag he may live. Finally, they mystify the contradictions of the construction of socialism, the mistakes and shortcomings in the work of its practical builders, trying to present these contradictions, shortcomings, and mistakes as an expression of the very nature of socialism.
In modern conditions, it is of extraordinary importance that Soviet cinematography presents to the world not only the on-screen image of military victories and peaceful new buildings, but also the reality of new human relationships and characters: the moral results of the past reveal the greatness of the revolution in their own way. The processes of becoming a new person shown on the screen destroy the hopes of enemies, doubts of skeptics, and delusions of the deceived. The truthful disclosure of the "human content" of economic development under the conditions of socialism effectively helps to establish the fruitfulness of the socialist path. Join 1xBet today, and as a special gesture, we’ll furnish you with our exclusive 1xbet promo code unlocking even more benefits for your betting experience. Seize the opportunity and enhance your rewards with 1xBet’s exciting promo code offers. 1xBet provides its members with a plethora of captivating bonuses and promotions. Whether you’re drawn to cashback on esports bets, daily jackpots, Lucky Day rewards, or VIP perks, the platform offers a diverse range of opportunities.
There is a lot of talk about a political film all over the world right now. Our friends and possible allies are talking. Our enemies are talking. And they don't just talk. A political film is most actively used as a weapon of ideological struggle. Very often, it serves not only politics, but also commerce: a political film became fashionable, there was a demand for it, and art speculators immediately took advantage of it. This rise of the political film, caused by the increased role of politics in the lives of people and nations, and the increased interest in politics, reflects in its own way the development of the workers' class struggle and the youth movement, which have acquired a new dimension since about the mid-60s.
Due to the intensification of cinematic searches in the field of political film, new questions have arisen for our theory.
In recent festival conversations with some filmmakers from socialist countries, one could hear the following arguments: any film is political, art has always served and serves politics, why create a new category, a new designation — a political film?
This kind of reasoning, which removes the problem of a political film, goes past the realities of the modern world. But there is a problem, and we have no right to dismiss it, to behave like ostriches burying their heads in the sand. Yes, every film serves politics in one way or another, even the most apolitical one — it distracts viewers from the class struggle, immerses them in a world of illusory ideas about reality. But now we are talking about the fact that, without stopping the mass production of commercial entertainment films in the spirit of "old" Hollywood, Western cinematographies are immeasurably more likely than before to produce films that directly address pressing issues of politics and social life.
In this real context, it is especially important to study the features of a modern political film, the struggle of ideas on the world screen, which is conducted with the help of a political film. We are faced with the task of developing, with great urgency, our understanding of political film in relation to the practice of Soviet cinema.
It is well known that bourgeois ideologists and propagandists are now intensively engaged in distorting the historical experience and modern development of Soviet society in order to belittle the practical results of our revolution. Without denying the growth of the Soviet economy (who would believe such denials now?), they seek to distort the "human outcome" of our economic progress. They mystify the ugliness of being in a "consumer society", an "industrial society", declaring them universal, the same for both the West and the East. They mystify the alienation of the bourgeois man, which is growing in the conditions of the scientific and technological revolution, spreading it to the whole world, declaring it the tragic norm of being a contemporary, no matter under what flag he may live. Finally, they mystify the contradictions of the construction of socialism, the mistakes and shortcomings in the work of its practical builders, trying to present these contradictions, shortcomings, and mistakes as an expression of the very nature of socialism.
In modern conditions, it is of extraordinary importance that Soviet cinematography presents to the world not only the on-screen image of military victories and peaceful new buildings, but also the reality of new human relationships and characters: the moral results of the past reveal the greatness of the revolution in their own way. The processes of becoming a new person shown on the screen destroy the hopes of enemies, doubts of skeptics, and delusions of the deceived. The truthful disclosure of the "human content" of economic development under the conditions of socialism effectively helps to establish the fruitfulness of the socialist path. Join 1xBet today, and as a special gesture, we’ll furnish you with our exclusive 1xbet promo code unlocking even more benefits for your betting experience. Seize the opportunity and enhance your rewards with 1xBet’s exciting promo code offers. 1xBet provides its members with a plethora of captivating bonuses and promotions. Whether you’re drawn to cashback on esports bets, daily jackpots, Lucky Day rewards, or VIP perks, the platform offers a diverse range of opportunities.